Friday, April 29, 2011

Effeminate KALYANI

TAKE MY WORD FOR IT! If u find me talk softly....walk consciously ... laugh melodiously...sit gracefully...behave delicately...there shall be 2 reasons behind this face of mine.

1. An irresistible and very gentlemanly GREEK GOD!(POONAL is compulsory any which ways!!!)
2. Soaking myself in KALYANI ragam for one whole day.

The latter is THE most probable!

Kalyani ragam, to me, is THE most DELICATE and FRAGILE ragam. When sung the right way, I feel as if Ive had a glass of chilled sweet lassi! PURE PLEASURE! You want it to last forever...So u keep licking every droplet of lassi sticking to the glass till the limited area your tongue can reach and keep smacking your lips! Thats the effect the ragam has on me!
Kalyani is VERY REAL! There is no other face to it! Absolutely no confusion in deciphering any song based on this ragam. Its simple, straight forward and highly attractive! Its self contained and stands for itself! It caresses me like a cool breeze and exhilarates me!

AAROHANAM (ascending swarams) :     S R2 G2 M2 P D2 N3 S
AVAROHANAM (descending swarams): S N3 D2 P M2 G2 R2 S

SONG : Pankaja lochana
ARTISTS : Ranjani-Gayatri



Every swaram in this ragam is worth lingering on to! But the most mystic swaram of all is M2! Its infatuation on P is very obvious and every composition sounds incomplete without the proper utilization of M2! Each swaram is capable of sounding extremely melodious on its own without the adjacent swaram's support. It is more of an evening ragam. When Iwant to smell the essence of the mud rising just before the ultimate intercourse between the earth and the sky in the middle of a very clammy weather, KALYANI is THE solution!

Kalyani gives all the warmth a mother would give her child. This is a very common feeling amongst music lovers and listeners. Hence many of the carnatic compositions on goddesses make use of this ragam.

Some famous carnatic compositions: vanajaakshi (varanam), vaasudevayani, pankaja lochana, evaram atukuthura, shive paahimaam ambike

Some tamil cinima songs : Kaatril varum geethame, enna samayalo (its a raga maalika basically),
                                       Kalaivaaniye, Doraguna itu vanti seva (telugu movie-sankarabharanam).                                       

I have observed that Male singers do a lot more justification to Kalyani than the female singers! This is one case which denies the fact that ONLY A WOMAN CAN UNDERSTAND ANOTHER WOMAN.
But whenever I romance Kalyani, it expresses that I have been very satisfying and judicious. PERIOD.

MORAL : Kalyani has the ground breaking capacity to make a hippy girl carry an off-shoulder gown with utmost grace!

P.S. - The ultimate intercourse between the earth and the sky is nothing but the RAIN you 'just not poetic' creatures!!!

Tuesday, April 26, 2011

Mysterious BHAIRAVI

"Kaarulaavum seerulaavum mithilaiyil... kanni...."

HEY WAIT! (rewinding half a second)....."MITHILAYIL..."...mi-thi-la-yil....and here the swaram goes as
S (mi)-N (thi)-D (la)-P (yil) WHY did i stop at this word??? because the IDENTIFYING CHARACTER of ragam BHAIRAVI is expressed right at this word. S N1 D1 P.

THIS is why i find the ragam MYSTERIOUS! When I listen to just these 4 swarams in succession, i feel blind-folded and made to FEEL the most beautiful statue of a mortal...(well you will have to wait for the gender revelation!).
The lines I quoted at the start of this article is from a very famous TAMIL carnatic song 'Yaaro Ivar Yaaro' composed by one of the unforgettable composers ARUNACHALA KAVIRAYAR.

AAROHANAM(ascending swarams) : S G2 R2 G2 M1 P D2 N1 S

AVAROHANAM(descending swarams): S N1 D1 P M1 G2 R2 S

SONG : Yaaro Ivar Yaaro
ARTIST : Sanjay Subramaniam


The 'D' highlighted in blood red is the CULPRIT behind the mystery! To be more accusing its 'D1' in the avarohanam which is one of the four swarams under the syllable 'la' in the word 'mithilayil'.
While ascending (aarohanam), the swaram 'D2' sounds gay...the way a student would emote on hearing that the teacher is absent! Ragam bhairavi very well conceals the suspense! The climax of the ragam i.e. while descending (avarohanam) carries 'D1' expressing the DARK and VILLAINISH face of Bhairavi!
Bhairavi is very MASCULINE in structure with a FEMININE ulterior. The feminineness is experienced while singing 'G2'. The 'G2' of ragam bhairavi is very delicate and dependent on a stable base in which case it is 'R1'. It cannot be sung with a linear tone. Hence while singing the swaram 'G2' one should sing it as R2G2R2G2 which leads to fluctuation of 'G2'.

For carnatic music learners and listeners!!! Very famous compositions like Viriboni (varanam), Lalithe, Upacharamu etc exist that are enough to make your hair grow HARD and ERECT on your skin!

MORAL: I love MYSTERIOUS personality. I shall marry the MANIFESTATION of 'D' of Bhairavi!

P.S: Girls might find it really tough to wax at such times so strictly no bhairavi during beauty hours!